Course Content and Outcome Guide for MM 254 Effective Fall 2015
- Course Number:
- MM 254
- Course Title:
- Character Rigging and Animation
- Credit Hours:
- Lecture Hours:
- Lecture/Lab Hours:
- Lab Hours:
- Special Fee:
Course DescriptionExplores 3D character rigging and animation through lectures and assignments. Covers the creation of a professional bipedal character rigging, character animation and lip-syncing facial animation. Prerequisites: MM 232. Audit available.
Intended Outcomes for the course
Upon successful completion students should be able to:
Build an armature of joints for 3D character models incorporating, forward kinematics and inverse kinematics.
Utilize forms of character deformations.
Execute the principles of animation.
Create 3D animated objects including facial animation.
Prepare a rigged and animated 3D digital characters.
Course Activities and Design
Materials will be presented via lectures, demonstrations, and assignments. Students will learn and demonstrate their abilities through handson assignments. Professional examples from recently completed work will provide students with exposure to the local professional 3D community.
Outcome Assessment Strategies
Student fulfillment of expected outcomes will be assessed using:
Ã Rigging and animation assignments.
Ã Professional and peer critique.
Course Content (Themes, Concepts, Issues and Skills)
The following technologies, skills, and concepts will be covered and/or demonstrated:
1. BIPEDAL SKELETON CONSTRUCTION
1.1. Joint creation.
1.2. Joint orientation.
1.3. FK hierarchical understanding.
1.4. Practical skeleton construction.
1.5. Naming conventions.
2. IK CHAINS
2.1. IK chain creation
2.2. Spline IK chains
2.3. IK/FK switches.
2.4. Proper integration into bipedal rig.
3. AUTOMATED RIGGING PROCESSES
3.1. FBIK system
3.2. Other options
4. ADDITONAL RIGGING
4.1. Adding unique controllers
4.2. Set Driven Keys to advance the rig
4.3. Using the Connection Editor to control parts.
5.1. Attaching the rig to the model.
5.2. Painting the skin weights.
5.3. Advanced skinning theory and techniques.
6.1. Blend Shapes
6.4. Influence Objects
7. CHARACTER ANIMATION
7.1. The principals of animation.
7.2. Practical animation workflow
7.3. Posetopose and straight forward animation
7.4. Lipsyncing and facial animation
8.1. Professional quality compositing and rendering.
8.2. Current portfolio examples.