PCC/ CCOG / MUS

Course Content and Outcome Guide for MUS 240B

Course Number:
MUS 240B
Course Title:
Music Composition
Credit Hours:
2
Lecture Hours:
10
Lecture/Lab Hours:
0
Lab Hours:
30
Special Fee:
 

Course Description

Covers music composition with focus on 20th and 21st century compositional techniques and materials. Includes composition of chamber and concert works with the goal of compiling a portfolio of original works. Prerequisite: MUS 240A. Audit available.

Intended Outcomes for the course

Upon successful completion students should be able to:Utilize intermediate?level contemporary music composition techniques to create intermediate-levelmusical works.Compose intermediate?level musical works using one€™s continually developing personal musicallanguage.Foster the creative exchange of musical ideas through the use of intermediate?level compositionalskills.

Course Activities and Design

Score and part preparation and proofing.Completion of a work from conception to performance.Improvisation as means of generating of musical ideas.Analysis of masterworks in variety of genres and styles (esempii classici).Transcription and/or arranging of preexisting works.Balancing unity, variety and form.

Outcome Assessment Strategies

Portfolio of professionally prepared original scores for a variety of instrumentalcombinations including voice(s).Reading sessions of original works by peers, faculty, and semi-professional orprofessional performers.One-on-one instructor/student conferences.Participation in written and oral peer review and evaluation.Written quantitative/qualitative examination.

Course Content (Themes, Concepts, Issues and Skills)

Variation techniquesTonality, modality and atonalityIntervallic cell-based composition and serialism as alternative means ofmelodic/harmonic organizationBasic orchestration and idiomatic instrumental/vocal writingMelodic transformation and development techniquePolyphony €“ contrapuntal and imitative proceduresNon-tertian harmony and synthetic melodic materialsWriting for the voice - selecting and setting textIndeterminancy in performance and music compositionGraphic notation and scoresExtended instrumental and vocal technique