- Course Number:
- ART 294A
- Course Title:
- Sculpture: Metals
- Credit Hours:
- Lecture Hours:
- Lecture/Lab Hours:
- Lab Hours:
- Special Fee:
Introduces basic sculptural form, processes, techniques, and concepts while addressing historical and contemporary issues. Develops an introductory level of creative problem solving through making sculptures with various metal working techniques (including but not limited to: welding, cold connections, forming and finishing). Introduces critical skills necessary to evaluate sculpture through critiques, discussions, and sculpture presentations by exploring artistic intent, examining aesthetic and structural solutions, and expanding perceptual awareness of sculpture. This is the first of a three-course sequence. Recommended: ART 117. Audit available.
Addendum to Course Description
There are no course prerequisites although Basic Design 117 and Art 293:Sculpture are helpful. Students will gain basic skills in welding, forming, and construction with metal. A sense of curiosity and a willingness to experiment is desirable. A cognitive comprehension of English is required.
Intended Outcomes for the course
Students will endeavor to do the following:* Find and develop creative ways to solve problems using a variety of basic strategies for making metal sculpture.* Create personal works of sculpture, which demonstrate an introductory level of understanding of sculptural ideas, and the materials and techniques associated with metal sculpture including but not limited to: welding, cold connections, forming and finishing).* Ask meaningful questions, identify ideas and issues, and develop a basic vocabulary to be able to actively participate in a critical dialogue about sculpture with others.* Understand, interpret, and enjoy sculpture of the past and the present from different cultures to beable to initiate a lifelong process of expanding knowledge on the diversity of perspectives of thehuman experience.* Develop a heightened awareness of the physical world, the nature of the relationship of humanbeings to it, and our impact on it via the experience of making metal sculpture.* Use self-critiquing skills to begin developing autonomous expression through metal sculpturewhile recognizing the standards and definitions already established by both contemporary andhistorical works of art from different cultures.
Outcome Assessment Strategies
Students will do the following in order to be assessed:¢Make creative, appropriately crafted, challenging sculptural solutions to given provocations using various metal working techniques.¢Demonstrate technical welding and metal forming procedures properly.¢Comprehend and apply analysis of sculptural ideas, techniques, terminology, and issues through participation in formal critiques and discussions.¢Develop conceptual ideas through the practice of creative research and preparatory studies (e.g. sketchbooks, journals, maquettes, models, writing assignments, presentations, technical practice tests, etc.).
Course Content (Themes, Concepts, Issues and Skills)
Concepts, Ideas, and Issues Pertaining to the Creative Process¢Strategies for developing ideas (i.e. experiencing and playing with materials, imagining, dreaming, visualizing, symbolizing, writing, reading, researching, studying historical and cultural examples, sketching, collaborating, discussing)¢Strategies for problem solving towards concretion of ideas in sculptural form (i.e. sketches, plans, maquettes, test pieces, models)¢Perception and Art¢Form and Content¢Interpreting artHistorical and Cultural Contexts¢Concepts, theories, and issues addressed by various cultures and historical periods¢Concepts, theories, and issues addressed by contemporary sculptors from¢different cultures with an emphasis on sculpture made with metal¢Relationships between form and content in works of art from different cultures and historical periods¢The roles of art and artists in different cultures¢Intercultural and interhistorical influences (e.g. the influence of African art on western, modern sculpture)Sculptural Forms and Perceptual Impact¢Visual/physical elements used to create sculptural form: point, line, plane, shape, form, marks, texture, shadow, light, value, color, space, sound, smell, weight, volume, mass, text, etc.¢Relationships of characteristics of visual/ physical elements to be considered (e.g. proportion, length, thickness, position, orientation, scale, weight, interrelationship of shapes, relative value and color, movement and stillness, quality of texture etc.)¢Strategies for manipulating visual/physical elements that is ways of thinking of composing with visual/physical elements (e.g. arrange, juxtapose, relate, contrast, group, balance, unify, repeat, edit, elaborate, classify, divide, increase, decrease, maximize, minimize, dissect, separate, align, vary, diversify, alternate, reduce, connect, etc.)¢The relationship between materials and their visual/ physical impact(i.e. a stick or string acts as a line, an indentation in a form is simultaneously perceived as a mark, a material is chosen for its shape and color etc, an element is chosen for its weighty quality, an object or material is used for it's olfactory impact, an object is chosen for its associative qualities etc.)Materials and Techniques¢Gravity and the basic forces of tension and compression.¢Materials and meaning¢Physical activities used to alter and form metals (e.g. cut, bend, heat, carve, compress, stretch, twist, hammer, rust, corrode, etch, etc.)¢Physical ways of connecting metals together(e.g. butt, prop, lean, bind, stack, wrap, peg, nail, slot, weld, screw, rivet, add, tense, tie, pin, cantilever, balance, etc.)¢Types of sculptural processes which can be incorporated into metal sculpture (e.g cold and hot forging, repousse, casting, welding, soldering, brazing, cold connections such as rivet construction, chain making, hinging, linear armature construction, finishing techniques , etc.)¢Use of various power tools(hand held grinders, bench grinder, chop saw, band saw, shears, etc)¢Safety and Environmental concerns of materials and techniques: proper disposal of waste, places where recycled material can be found, proper safety attire to be used when working with specific materials, health related concerns, sources of information on these subjectsCritical Analysis¢Purposes of criticism and analysis of artworks: deepen understanding, reflect on level of quality and possible improvements, heighten creative decision making by observing decisions made by others and oneself, establish and maintain high standards of achievement, ask questions, find new connections, create autonomy and creative confidence, create new problems to solve, discuss art with others to expose oneself to multiple perspectives etc.¢Vocabulary relevant to ideas, materials, and techniques pertaining to metal sculpture and sculpture in general¢Application, interpretation, and redefinition of sculptural ideas, connection of historical and cultural contexts, personal expression and creative freedom¢Aspects of criticism: formal, conceptual, historical, cultural, experiential etc.¢ Competencies and Skills The successful student should be able to do the following:¢Find resources for materials and tools used in making mixed media sculpture¢Conduct research to develop ideas, perspectives, and influences from a variety of sources¢Employ a variety of strategies to solve problems encountered in the process of realizing an idea for a sculpture in physical form. Students will be able to make models, sketches, maquettes, material tests etc.¢Use a variety of conceptual strategies to metal sculpture¢Understand and use a variety of materials, tools, and techniques associated with making metal sculpture¢Use the proper safety/health equipment and procedures in working with metal sculpture and welding¢Make interesting, challenging, appropriately crafted mixed media sculptures that are personally meaningful¢Understand and apply basic vocabulary necessary to discuss the formal, conceptual, and technical aspects of sculpture¢Analyze and enjoy the formal and perceptual concerns of sculpture¢Communicate with others on a variety of levels (i.e. formal, conceptual etc.) on the subject of sculpture¢Assess the ways in which art objects are affected by personal perspectives and experiences¢Make historical and cultural connections in determining meaning and understanding of art¢Initiate preparation of a portfolio of sculptural metal work.